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  3. 12 storytelling tips dos and don’ts

12 storytelling tips dos and don’ts

Each of our regional affiliates is unique and may adjust its competition requirements based on the needs of its coaches and participants. This article is aligned to the requirements for submissions in the Open Affiliate. The Open Affiliate serves students and coaches who are located outside of a current regional affiliate or whose affiliate does not offer the Storytelling program.

#1 Remember the purpose of the program

Future Problem Solving’s mission is to develop the ability of young people globally to design and achieve positive futures through problem solving using critical and creative thinking. In the Storytelling program, students are asked to share a story set in a future they may actually live in. We hope that students tell audiences stories that focus on characters attempting to make a positive change in their world. 

#2 Set the story 20-30 years in the future

Submitted stories, or scenarios, must take place 20-30 years in the future and be told as though the future is the current, present reality for the character(s). Futuristic concepts and trends should be incorporated into the story, but a specific date is not required.

#3 Avoid extremes

The Storytelling program strives to help students enlarge, enrich, and make more accurate their image of the future. Stories that focus on very violent or disturbing content, or ones that end with extremely negative futures, are not aligned with the goals of Future Problem Solving. 

Instead, students are encouraged to share a story about a future they might live through and showcase positive possibilities or strategies to overcome challenges.

At the International Conference, we share this message with all competitors, which students should keep in mind as they prepare their stories:

Students are encouraged to think creatively and futuristically. Taking conceptual risks is part of the creative thinking process, but these risks may not pay off or may push the scenario boundaries too far. All participants should consider the impact of their work and words on others, accounting for the diversity of age, ethnicity, religion, culture, and experience that make up the Future Problem Solving community.

#4 Do your topic research

Students must tell a story that has a recognizable relationship to one of the annual topics. Strong stories have a connection to research and show clearly how the story relates to the topic, including futuristic and research trends. Each topic has a description and suggested readings in our Topics Center.

You can also purchase the topic research publications, which includes summaries and research at our online store.

#5 Watch the time

Students must keep their story under five minutes long. Stories lasting more than 5 minutes may score lower in ”Storytelling Technique” and “Development of Story” as their story will not be finished when their time runs out.

#6 Use appropriate movement

“Acting,” such as crouching, jumping, a character’s dramatic death, running, or elaborate movements are not permitted.

A storyteller can use hand gestures and slight movements to enhance their storytelling.

Performances are often recorded for evaluators to review, so any movement that takes the storyteller out of the camera’s frame may hurt a student’s score. 

#7 Prepare to perform  

Storytellers can choose to sit or stand during the performance. Also, they may use a maximum of 10 (4×6 inch or size A6) cue cards. Students should not use props, costumes, theatrical makeup, multimedia presentations, or other materials beyond the use of voice as these are not permitted. 

#8 No identifying information

Storytellers are not permitted to wear clothing that identifies any affiliate Program. The student should also avoid any identifying information in their story, including their name, school, and affiliate Program.

#9 Students develop their own stories

Students compete individually, and stories must have a single author. While coaches, teachers, peers, and parents can offer feedback, the student must be the sole creator of the performance.

#10 Prepare for a live performance

During live competitions, a timekeeper will signal to participants when only 30 seconds remain. The timekeeper will signal again at the five-minute mark. At 5 minutes and 15 seconds, the student will be stopped.

#11 Record for virtual competition

Stories that are recorded for submission will be evaluated up to the 5 minute mark. The recording must be continuous, with no cuts, edits, or movements of the camera location. The focus must remain constant with the camera focusing on either the head-and-shoulders or the full-body of the participant, who may sit or stand. A storyteller and their coach can determine where to film the performance.

#12 Review information before the International Conference

The specifics for the International Conference competition, such as topic and performance format, may vary from those at your affiliate event. Details for the International Conference will be released on March 1 prior to the International Conference.

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April Michele

April Michele Bio

Executive Director

A seasoned educator, April Michele has served as the Executive Director since 2018 and been with Future Problem Solving more than a decade. Her background in advanced curriculum strategies and highly engaging learning techniques translates well in the development of materials, publications, training, and marketing for the organization and its global network. April’s expertise includes pedagogy and strategies for critical and creative thinking and providing quality educational services for students and adults worldwide.

Prior to joining Future Problem Solving, April taught elementary and middle grades, spending most of her classroom career in Gifted Education. She earned the National Board Certification (NBPTS) as a Middle Childhood/Generalist and later served as a National Board Assessor for the certification of others. She was trained and applied the International Baccalaureate Middle Years Programme (MYP) in Humanities, which helped widen the educational scope and boundaries beyond the U.S. In addition, April facilitated the Theory and Development of Creativity course for state level certification of teachers. She has also collaborated on a variety of special projects through the Department of Education.

A graduate of the University of Central Florida with a bachelor’s in Elementary Education and the University of South Florida with a master’s in Gifted Education, April’s passion is providing a challenging curriculum for 21st century students so they are equipped with the problem solving and ethical leadership skills they need to thrive in the future. As a board member in her local Rotary Club, she facilitates problem solving in leadership at the Rotary Youth Leadership Awards (RYLA). She is also a certified Project Management Professional (PMP) from the Project Management Institute and earned her certificate in Nonprofit Management from the Edyth Bush Institute at Rollins College.